• CLEVELAND PUBLIC LIBRARY- MLK

    Size: 25,000 SF
    Location: CLEVELAND, OH RUNNER UP: INTERNATIONAL DESIGN COMPETITION

    RUNNER UP- Commissioned, International  Design Competition

    CLEVELAND, OH RUNNER UP: INTERNATIONAL DESIGN COMPETITION

  • DURHAM MAIN LIBRARY

    Size: 85,000 SF
    Location: DURHAM, NC photography: Mark Herboth

    DURHAM LIBRARY


    The program proposed by the owner was a 4th floor addition of a new S.T.E.A.M literacy center and renovation of the existing stack levels of the building.  The design team’s solution instead was to open the floors onto one another and ‘weave’ the STEAM education spaces through the fabric of the existing 3 story library to a new 4th floor and from the interior of building into the space of site. The S.T.E.A.M program was gathered into a contiguous, open zone  / field condition that weaves between  both inside and out and vertically in section to define the primary circulation, while also shaping a fully flexible zone for all collaborative, technology rich ‘people spaces’ of the contemporary library. 

     

    The remaining plate areas house the fixed stacks (defined as an orthogonal array and  made as dense as possible)  to produce two distinct, but intertwined  conceptual zones:  one for the physical collection & one for collaboration and content creation. Rooted in the notion of weaving the ‘new’  program into the fabric of an existing ‘traditional’ library, this new zone is at times both overlapping/grafted + autonomous/independent  of the existing building.

    DURHAM, NC photography: Mark Herboth

  • PINE VALLEY BRANCH LIBRARY

    Size: 20,000 SF
    Location: WILMINGTON, NC

    The Pine Valley Branch Library replaces the existing Myrtle Grove Branch and allows New Hanover County Public Library to offer more and diverse programs and services to the rapidly growing community. Located at a major intersection in Wilmington, the site is in close proximity to the Cross City Trail, allowing opportunities to tie into the recreational infrastructure and other cultural and recreational facilities throughout the city and county.

    WILMINGTON, NC

  • NC A&T STUDENT CENTER

    Location: GREENSBORO, NC photography: Mark Herboth
    A.O.R.: VINES ARCHITECTURE, Designer + Architect of Record w/ Cannon Design, Student Center Planning and Design

    NC A&T STATE UNIVERSITY NEW STUDENT CENTER
    final photos 

    The new Student Center provides a comprehensive array of campus life services and reinvigorates the physical and symbolic core of the campus of NCA&T State University. The LEED Gold facility redefines the central hub of the campus and serve as the heart of the social and academic life of the students of A&T while expressing the history and spirit of Aggie Pride.  The diverse program includes student lounges, study and meeting spaces,  food venues, convenience store, student bookstore, post office, a formal ballroom overlooking the main green, multipurpose rooms and a range of student organization suites and administration support services.


    The constituent architectural components, which are rooted in the idea of the program, have been defined at the conceptual level as:


    LANDSCAPE 
    The landscape is a singular element that weaves though the building, stitching together the two campus greens and the public plazas that terminate them. This ground plane is envisioned as a key collective space of the program, emphasizing spatial overlap and the intertwining of building and landscape - it is at once, place and path, interior and exterior.

    PLATES/TRAYS 
    The trays serve as the overarching framework for the programmatic elements of the project. Lifted above the landscape to the second and third levels, these elements bridge over the ground plane creating a highly transparent base that defines the entry, and in turn, presents a face to both the north and south greens.

    ELEVATED VOLUMES 
    Within the programmatic zones, there are several programmatic spaces that require both spatial and acoustical separation and also a more symbolic, formal legibility. These spaces, which include the ballroom, study rooms, the student organizations, and the marketplace dining, are elevated and have clear formal identity.

    THREAD 
    The thread is a singular element composed of vertical circulation and horizontal tray circulation spaces that weaves through the public spaces of the facility and stitches together, both vertically and horizontally, all of the otherwise disparate elements of the program. It serves as a key social and programmatic component of the project as well as a symbol of the unification of individual program elements.

     VEIL 
    The veil loosely envelops the entire facility to define the Center as a singular entity. Similar to the Thread, it unifies the diverse range of spaces and elements of this hybridized program. Composed of perforated metal and steel, it is a delicate and lightweight element is seen as a subtle representation of the spirit of progress and the importance of Technology in the development of NCA&T State University. Symbolically these two components- the Landscape and the Veil - unify all of the activities of the Student Center to define a singular, iconic entity.

    VINES ARCHITECTURE, Designer + Architect of Record w/ Cannon Design, Student Center Planning and Design

    GREENSBORO, NC photography: Mark Herboth

  • NC CIVIL WAR + RECONSTRUCTION HISTORY CENTER

    Size: 60,000 SF
    Location: FAYETTEVILLE, NC

    NORTH CAROLINA CIVIL WAR + RECONSTRUCTION HISTORY CENTER

    The new North Carolina Civil War History Center will be built on the site of the former Fayetteville Arsenal . The history of the Arsenal dates back to the War of 1812, but became a player in the conclusion of the Civil War as one of Sherman's last conquests in his march northward. The historic site is the primary driver for the location of the statewide history center which will cover the role of North Carolina and its people from before the war through Reconstruction and beyond. The historic significance of the site served as the spring board for the early conceptual design drivers for the museum. 

    Our design strives to create a new building that respects the significance of the site in North Carolina history as well as creating a new place to highlight the stories being told inside.  With a conceptual focus of the multiple roles of North Carolina in the Civil War, as well as a desire to connect the building out into the landscape and arsenal ruins, the idea of a pavilion scheme began to take shape. Three main public areas - the main exhibits, an auditorium, and a second level elevated cafe - are all connected by a glassy circulation spine and under one large roof acting as the glue of the scheme. Stretching out into the landscape, outdoor plazas, walkways, and covered shelters encourage visitors to have a better connection with the ruins themselves. 

    Elevated views from the museum will allow visitors to look down on the property, gaining a more comprehensive understanding of the scale and extents of the previously existing arsenal site. 

    Much like the state during the Civil War, the site has been divided. A major highway was cut through the existing arsenal ruins in the 1980s and severed the site into two separate parcels of land connected by a pedestrian footbridge. Another main conceptual driver in our design was to reconnect the two pieces of the site to give visitors a way to visualize the magnitude of the original arsenal footprint. A widening of the existing footbridge is proposed to aid in "healing" the site into a more unified complex rather than two distinct parcels. 

    FAYETTEVILLE, NC

  • MICHIGAN LAKE HOUSE

    Size: 1200 SF Enclosed 1200 SF Exterior
    Budget: Withheld
    Location: BURT LAKE, MI
    A.O.R.: Robert W. Thomas, AIA

    MICHIGAN LAKE HOUSE

    This Northern Michigan weekend house was designed for a couple and young child as weekend retreat.  The client, a public policy consultant in environmental issues energy use, and a civil/environmental engineer wanted a low maintenance, energy conscious retreat that was small, but able to accommodate extended family when needed.  The site is a sloping, wooded site on the north shore of Burt Lake.  The cabin is organized on three levels to minimize the footprint and to encourage outdoor living and minimal energy use.  The ground level is simple space that contains a small kitchenette, bathroom and a series of built-in butler bunk beds for kids and opens to a large, partially covered deck with an long, outdoor kitchen and fire pit, which serves as an outdoor living room for the cabin.  The intermediate level, which is connected to the crushed stone parking area by a bridge, contains only a screened porch and large stone fireplace. The main living area/ suite of the cabin is on the third level is treated as a large open volume and contains a bedroom, bath, kitchen, built in shelves for a library and an open living / dining area.   The roof of the cabin is shaped to open to the elevated views of the lake to the south and to collect rainwater in a large cistern at the rear. 

    The south elevation is marked by a covered deck defined within the main volume of the house, which also serves to shade the living areas from the summer sun. All the windows are designed with operable panels that allow the cabin to be fully enclosed when not in use.

    The project is to be constructed of wood framing, with shop fabricated steel trusses. The interior is lined only with birch (a predominant tree species of northern Michigan) plywood and local stone, while the exterior is clad with a silvered red cedar slat rain screen system. The structural elements of the house on the exterior are wrapped in weathering steel.  The palette references the economical and vernacular roots of northern Michigan in the timber and iron ore industries.

    BURT LAKE, MI